Celebrate Wearable Art IV: Awards Announcement
Our very thoughtful judging panel has their work cut out for them at yesterday’s event. The work took Celebrate Wearable Art to yet another level of artistry and creativity. Thank you to ALL the artists on the runway and the Marketplace for your dedication and presentation.
Here are the winning looks, descriptions, and accompanying photos.
The seARTS Best in Show – Sponsored by J. Barrett & Co.
Awarded to the Artist with the design considered by the judges to be the most exceptional overall.
Two looks were chose for Best of Show
PAVED PARADISE represents for the designer the realities of the world and is a reflection of how she sees herself. People and nature are echoed in the hard outer shell of the jacket and the multi-colored textured pants that focus on the wonderful “mess” we discover when we boldly take down our barriers.
Garden GLOW is a layered gown with a hand-painted garden overlay. Awash in beauty, the dress designed by Eileen Mueller creates an alluring and luminous garden in organza and silk.
Coastal Inspiration Award Awarded to the Artist with the design considered by the judges to be the most inspired for its movement, form, and texture of the coastline – Sponsored by Flagship Motorcars of Lynnfield|Mercedes-Benz
Camilla MacFadyen – Winner
Lanesville artist, Camilla MacFadyen offers four looks from her latest collection inspired by the technical drawings of Ernst Haeckle, a 19th-century German biologist, who drew single cell sea organisms and marine life. Camilla’s looks are simple, lovely, and understated, infused with extraordinary artistic vision.
The ocean blue Hydra Coat is made of hemp and imprinted with the artist’s signature seaweed print. The exquisite embroidery is a Haeckel sea organism. Custom glass button by Beth Williams. The dress worn under the coat is linen and embroidered with a now extinct marine organism.
The Red Algae Flapper Dress reminds us of the ever-present changing nature of the ocean and the realization that even the molecular can be manifested into fashion.
Marine Protozoa Tunic is modeled after a traditional Japanese work apron. Note the simplicity of the shape matched with profound color, design, and handwork. Necklace by sea glass artist Jacqueline Ganim-Defalco.
Just for fun, the last look, Sun and Sea Tunic, is printed with bamboo and lightly beaded for sparkle.
Sonja Grondstra – Honorable Mention
Ocean Angel is a stunning original work of art by jewelry artist Sonja Grondstra: Three types of seaweed, dipped in rubber and then cast in silver, adorn the organza train designed by Amanda Mujica. A beach glass and silver belt, seaweed necklace and earing set, and sea glass ring complete the look. Our model, Sandra Kalambayi is originally from the Congo. Last year Sandra, her mother, and nine siblings fled from Uganda. The family resettled in Lowell thanks to the International Institute of Lowell, the oldest resettlement agency in Massachusetts.
Eco – Upcycled Award – Sponsored by the Common Crow Natural Market
Awarded to the Artist with the design considered by the judges to be most innovative and made from “green friendly” materials that would otherwise be discarded.
Barbara Poole – Winner
It’s felt artist Barbara Poole’s “Ode to Basquiat [Baskia],” dedicated to and inspired by the artist Jean-Michel Basquiat [Baskia]. Using vintage, damaged garments, Poole hand-felted this distinct look and hat.
The Coat is a deconstructed vintage 80s leather coat. The back and sleeves restructured with hand-made felted merino wool, silk, cotton, and machine embroidery.
The Hat is hand-felted using a traditional wet felting technique called Nuno.The Dress, entitled “Grab This,” is a seamless reversible dress in red and black, hand-felted using the Nuno technique.
Susan Maserek-Wilson – Honorable Mention
Dark Roast is a 99% recycled, reused, post-consumer waste jacket made from mylar coffee bags and other materials that would otherwise be in a landfill.
· Mylar coffee bags are quilted, sewn, and painted into a leather-like motorcycle jacket and matching over-the-knee boots that lace all the way up the back.
· The jacket’s back panel is silver mylar coffee packaging featuring an original embossed alcohol painting of a canna plant.
Architectural Award – Sponsored by Epstein-Joslin Architects and the Hamilton Group
Awarded to the Artist with the design considered by the judges to be the most inspired by the concept of wearable sculpture incorporating structure, shape, and form
Pavlina Gilson- Winner
Modern sensibility clearly shines in these two looks from her latest collection. The statement wool black and white coat with hand-sewn couching was inspired by a medieval castle.
Gilson’s playful polka dot dress is a throw-back to the 1950s style and evokes swing, fun, and sweetness.
Sage Floral Studio – Honorable Mention
Sage Floral Studios’ look is an elegant monochromatic scheme of fresh florals. Winter white oak leaves and hanging amaranths are fashioned into this whimsical gown. The sprightly floral necklace makes this piece fit for fairy tale nuptials!
Student Innovation Award – Sponsored by Bank Gloucester
This award crosses all categories and is awarded to a student Artist with the design considered by the judges to be the most exceptional.
Queen Allotey-Pappoe MassArt student.
“Midnight Blue” from Queen Allotey-Pappoe, is a fantasy evening dress made from braided hair craft materials and tinsel pipe cleaners. The design incorporates West African hair-braiding and weaving techniques – an art form passed down from mother to daughter over generations.
The dress is designed to mimic ocean waves alight with shimmer on a moonlit night. Queen designs children’s wear as here modeled by the adorable Genesis.
Alexandra Faszewski – Honorable Mention –Lasell College
The Onigiri [o-nigiri] Dress is influenced by Japanese culture and fashion. Alexandra Faszweski designed this linen dress based on onigiri [o-nigiri], a triangular rice ball that she often ate while in Japan.
Honorable Mention Winners Sponsored as a whole by the Beauport Hotel Many thanks to our incredible judging panel!
Celebrate Wearable Art IV: A Runway Full of Surprises, Delights, & Wardrobe “Must Haves!”
The Celebrate Wearable Art runway is a highly imaginative place. Artists conceive their pieces and then start to work for two full years – most do not reach completion until a few days before rehearsal. Even most of us “insiders” are completely surprised the day of the show. This is one of those rare occasions where you can “dream something up just for the sake of dreaming it up” in the words of our Chief Curator, Martha Sutyak.
But there’s so much more to the story. In fact, so many unfold through the creation of a piece of wearable art. The luminescence cast by CWAIV lasts for two years…or more. Many who loved the show in 2015 were ready and waiting for 2017! Whether it’s your first time or 4th, you will see that there are hundreds, possibly thousands of volunteer hours from people working behind the scenes that come together to create this extravaganza!
We invite you to experience the beauty, the fun, the wonderful room full of people dedicated to raising the bar for their “craft” whatever it may be and those who support and wear “us.” Here are some snippets to entice you…..direct from the artists’ applications!
- This is a mythical, fantasy evening dress made from braided hair, craft foam and tinsel pipe cleaners….this piece exhibits the mystery of nature by the use of braid patterns and tinsel to mimic the waves and shimmer of the ocean on a moonlit night.
- Our piece will be a casual evening dress. Form fitted, classical lines of mixed materials: primarily wire, polymers and natural fibers. The intent of this art piece will convey the expression of her secrets and be comfortably worn, day or night.
- My look is called Obsolescence. I’ve become fascinated with things that aren’t used any more….
- I am continually inspired by Cape Ann, its history, personality, and beauty. I intend to make a small collection that can portray this, while still capturing a modern ready to wear aesthetic.
- This piece is an homage to the women of the 50’s who dressed to entertain in their home….. When you look at it, you will see it looks like lace! [but it’s far from it….]
- My idea is inspired by Venus on the Half Shell……
- My garment will be made from luxurious Hand-painted Silks, depicting actual locations in space, and much more…
- My entry will speak to The layers of me and to the nature of the world… people and nature alike……
- The gown will reflect my idea about the inequality of power and money in the world…..
- I create red carpet, bridal and runway fashion from recycled and unusual materials…
- I am creating a garden themed ball gown….
- Menswear! Some of it restyled shirts with artful inserts of different textiles. Most of it interesting clothes for men to embrace…..
This show is never the same from one event to the next. This year’s special feature is a Silent Auction that will feature up to pieces that which will be modeled during the Marketplace hours 2-3:45PM. The entries are from Jen Greeke, Christine Gauthier Kelley, Allison Charles, Barbara Poole, and more to come! Check them out in Thursday’s Gloucester Daily Times!
Many thanks to the Cape Ann Museum, our host, and to everyone that attended the panel discussion: Wearable Art: Exploring Expressions on the Human Form. We had four amazing panelists and moderator and our event was organized seamlessly by Anita Blackaby who is part of our CWA committee. In early 2015 as we prepared for the last runway event, our committee member, Andree Robert suggested that we find a way to collaborate with the Cape Ann Museum. We began our collaboration vibrant panel discussion the week after the runway show in 2015. Last week, we were able as a “kick-off” the runway event and by doing so loop in the fashion experts who will be quite pre-occupied on October 1 which is officially the start of Boston Fashion Week.
While each panelist began by sharing their own creations and experience with “wearable art,” the discussion was centered on key questions concerning where the artists find their inspiration – inside and outside the art world, how making things wearable is different, and whether wearable art could be the new haute-couture. Another track was focused on the overall “wearability” of the various works. Coming from the fashion side of things, Jay Calderin (Boston Fashion Week & School of Fashion Design) reminded us that much of the fashion of earlier centuries barely allowed the wearer to move. Jennifer Varekamp leads her students through an organic journey of learning around the pieces that go into a fashion design. She takes her classes to the places (overseas) where things are made by hand in the most fundamental way to help them gain full appreciation of the work. The student-panelist, Nell McKeon led us through her personal relationship with art and art-to-wear and encouraged everyone to look for the art and design in everything around them. Rick Crangle focused on “problem-solving” as the key muse that helps him find new inspiration throughout his work. Overall, the audience was fully engaged in a very robust discussion about what we wear and why we wear it!
What’s also significant to our effort and to the seARTS spirit, is the incredible collaboration that we have seen in our wearable art events. Since we began our journey in July 2007 at the Gloucester House, our first “salon” it has become apparent that wearable art crosses many boundaries and inspires artists from all genres. Lauren Whitley from the MFA who spoke at our last Salon event and will also be a runway judge this year wrote a fabulous history of wearable art and this is a great way to describe the people that attended last week and will attend on October 1. “In the early twentieth century, unconventional artistic dress had achieved a certain level of acceptance. Wearing of artistic dress had even become a badge of distinction, bestowing upon the wearer an aura of progressive ideals, intellectualism, and good taste.”
Celebrate Wearable Art IV News: Call for Models, Ticketing, Judges & Celebrity Emcees
The plans for seARTS the October 1, 2017 Celebrate Wearable Art IV (CWAIV) runway show are in full swing with a curated Wearable Art Marketplace, newly designed artist awards, VIP runways judging panel, and a reserved ticket seating plan at Cruiseport. All the show information is now conveniently located on the new website!
Celebrate Wearable Art is a multi-faceted event and there are many ways for artists, designers, makers, and creative businesses to engage with the seARTS team. Tickets are over half-sold and can be purchased directly here. All ticket buyers now have access to reserve seating via Eventbrite. Tickets are $150 for individual tickets and all will be seated at tables of six. $185 tickets at VIP Tables are available on a very limited basis by contacting seARTS at email@example.com . Using Eventbrite, buyers can open up a map of the room and choose their seats. Checks will be accepted for anyone wishing to purchase a table for six and can be sent to seARTS, PO Box 1476, Gloucester, MA. 01931 and an email to firstname.lastname@example.org should accompany the check indicating the information for the guests at the table.
Call for Models: There will be a call for models with the show curators and WSM Talent agency on Saturday, August 26th at the Cape Ann Savings Bank Community Room, 123 Main Street, 2nd floor from 9-12. Applicants must be available the evening of September 27th for the Rehearsal. Details of additional requirements and how to prepare for the modeling session are on the website www.wearableart.org in the News Section.
Celebrate Wearable Art Panel at the Cape Ann Museum: Leading up to the October 1, event, the Cape Ann Museum and seARTS will present Wearable Art: Exploring Expressions on the Human Form on Thursday, September 7th at 6:30 PM. Tickets for seARTS & Museum members are $10/general public $15.
Here’s some additional information about the show that will help you full enjoy this exciting showcase!
The Runway: Wearable Art is open to all makers and response to the call for artists has been robust. The deadline for entry has passed, but the committee will keep the entry open online to encourage future participation or substitutions due to changes. The runway will showcase of Cape Ann’s most talented artists alongside regional and international makers of wearable art and fashion. This year’s event has attracted an impressive array of students at all levels. Under the leadership of art teacher Tamara Burns, Manchester-Essex Regional High School has already applied as a class and is treating the opportunity as an Advanced Placement undertaking.
Our goal for 2017 is of course to have a successful Wearable Art benefit, but also to surpass our previous runway shows with the level of artistry and pure excitement! Some of us need just a little reason to dream up something marvelous, and THIS IS IT, says Martha Sutyak of Beverly, the CWA runway lead curator and stylist.
Awards: The new focus on awards is an important step in the evolution of CWA. The committee has carefully designed the following awards to help encourage artists to experiment in new ways. Awards will be supported through sponsorships – both cash and in-kind. Looks will be awarded on-site by a group of VIP judges from the design and wearable art community. Businesses interested in sponsoring these exciting awards may contact seARTS email@example.com
1. The seARTS Best of Show Award
2. Coastal Inspiration Award
3. Eco – Upcycled Award
4. Architectural Award
5. Student Innovation Award
VIP Judging Panel: The CWA committee is pleased to welcome these accomplished art curators and fashion experts to the panel of judges. Lauren D. Whitley, senior curator in the David and Roberta Logie Department of Textile and Fashion Arts at the Museum of Fine Arts, Boston. is senior curator in the David and Roberta Logie Department of Textile and Fashion Arts at the Museum of Fine Arts, Boston, where she helps oversee a collection of 55,000 textiles and costumes. Lynda Roscoe Hartigan, The James B. and Mary Lou Hawkes Deputy Director, Peabody-Essex Museum; Jennifer Varekamp: Professor of Fashion Design, Mass College of Art and Design. Wearable Art is an important niche that crosses many boundaries. Day-to-day, we celebrate “makers” who create and sell their work. Chair, Jacqueline Ganim-DeFalco comments, “Our local Wearable Art Group and CWA committee have systematically invited world class arts and educational institutions and reached across geographies so that together we can build a strong wearable art community,
Participation from this distinguished panel of judges further validates the importance of the journey we started eleven years ago.
The Wearable Art Marketplace: The following artists will exhibit and sell work before and after the runway show: J.M. Syron and Bonnie Bishoff, (Maine) Marlene Cann, (Gloucester) Joanne Demetra (Rockport) Jacqueline Ganim-DeFalco, (Gloucester) Christine Gauthier-Kelley, (Manchester, MA) Pavlina Gilson, (Manchester, MA)Jennifer Greeke, (Gloucester) Sonja Grondstra, (Swampscott) Susan Kenna, (Beverly) Camilla MacFadyen, (Gloucester) Nurit Niskala, (New Hampshire) Fran Osten, (Newton) Barbara Poole, (Lowell) Regina Loiacano, (Gloucester) Kiki Taron Kinney, (Marblehead) Beth Williams, (Gloucester) Meegan Williams, (Salem) and Sara Wright. (Rockport). With the addition of Meegan Williams, the Marketplace will include a menswear line for the first time.
Bike Drawing: Through the generosity of BMW Peabody, seARTS will benefit directly from a drawing for a BMW Cruising bike, visit http://wearableart.org/promotions/ The bike is on display in the Window of Mahri in Manchester-by-the-Sea where tickets can also be purchased.
Supporting Sponsors: seARTS is pleased to welcome the following sponsors: Art New England Magazine, Beauport Hotel, Beauport Financial Services, BMW Peabody, Cape Ann Savings Bank, Flagship Motors/Mercedes Benz, Minuteman Press, the Peabody-Essex Museum, and North Shore Magazine. Artist Award Sponsors (to date) include: Common Crow; Epstein & Epstein Architects; and The Hamilton Group.
Call for Models! CWAIV: October 1, 2017
If you would like to be considered to model one (or more) of the fabulous wearable art and fashion designs on October 1, we would like to see you at the upcoming “call for models” to be held on Saturday, August 26th at the Cape Ann Savings Bank Community Room, 123 Main Street, 2nd Floor. 9AM-12PM. Please bring your own footwear – we prefer 4-5” heels, platforms, or wedges – and you will be asked to walk for our stylist team. At this meeting, you will be asked to fill out a form with more details.
Please know that you can only be chosen to model IF you can attend the dress rehearsal scheduled for Wednesday, September 27th at Cruiseport Gloucester.
At the October 1 event, We prefer that our volunteer models work the show unaccompanied due to space limitations, (everyone has to stay in the downstairs area), and no one will be able to see the show without a ticket. This is a fundraiser with very limited space. That said, the we expect the show to be filmed so that everyone can see it in the near future.
For rehearsal, we will also request that you bring your own footwear, and we will help answer your questions in that regard. Again, we prefer 4-5” heels, platforms, or wedges in a style suited to your garments. Please try to bring undergarments also suited to your outfits. Hair and makeup help will be provided but please arrive with your basic “face” on!
Thank you on behalf of seARTS for your interest in modeling for our Wearable Art Runway Show on Sunday, October 1st, 2017.
seARTS CWAIV Runway Committee